Ik heb Arna's kinderen een jaar of vijf geleden op de TV gezien, en herinner me nog mijn verbazing over de haat voor Israel die de kinderen in het theater van nota bene een Israelische Jodin bijgebracht krijgen. Ook staat me nog een scene bij waarin mensen van de Israelische TV langs komen voor een interview. Zij denken dat het een theater gericht op vrede en verzoening is, en vragen de hoofdrolspeler in Romeo en Julia iets in de trant van of hij het niet mooi vindt om in het stuk met een Joodse te trouwen, waarop hij iets niet zo aardigs zegt, en Arna, die vertaalt, een ander antwoord geeft aan de interviewer. De interviewer wordt nogal voor gek gezet en de boodschap is duidelijk: laat ze maar denken dat we voor vrede zijn, maar wij weten wel beter.
De hele film ademde een sfeer van ondergronds verzet, strijd en solidariteit met de 'Palestijnse strijd' (lees: het doden van Israeli's, zowel burgers als soldaten) uit. Inderdaad een zeer krachtige film, ophitsend bijna. Het verbaast me dan ook absoluut niet dat de maker, Juliano Mer Khamis, zich onomwonden voor geweld en tegen een tweestatenoplossing uitspreekt.
RP
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posted by DrMike at http://www.bluetruth.net/2009/04/juliano-mer-khamis-is-freedom-theater.html
Last summer I attended a screening of the movie "Arna's Children" which was sponsored by a local "peace" group called 14 Friends of Palestine. Like many groups which say that they are all for peace, all of their events are not only in opposition to Israeli policy but feature speakers who don't accept the Jewish people's right to self-determination in our own homeland.
The movie has been featured in both Arab and Jewish film festivals, and I was curious; plus the filmmaker, Juliano Mer Khamis, was going to be there to discuss the film as well as the children's theatre group in the Jenin refugee camp that was founded by his late mother (the Arna of the title). The film, though certainly flawed, is a powerful piece, given that a large portion of it was filmed in Jenin during Operation Defensive Shield in 2002 during which the so-called Jenin Massacre took place and follows several former members of the children's theater troupe who had become members of Fatah's al-Aqsa Martyrs Brigade (one ends up as a mass murderer when he randomly guns down civilians in Hadera, another gets killed while attacking IDF soldiers).
In the discussion afterwards, I asked Juliano, whose father is Arab, whether his mother (who had fought in the Haganah) and he (who had served in the IDF) were promoting simply an anti-occupation viewpoint, or a frankly anti-Israel viewpoint; given that his mother was shown giving a speech to the children praising "intifada", it seemed a reasonable question. Juliano, however, thought this was an entirely unreasonable question, asking how I could even dare to suggest that. He implied, if not straightforwardly stated, that this wasn't about anything except the occupation.
Well, Juliano is an actor by training, and he acted the part of the righteously indignant with skill and gusto. The problem, as it turns out, is that he is indeed an actor, and a bald-faced liar to boot. As part of the controversy that developed when a children's orchestra from Jenin played for an audience of Holocaust survivors, the Freedom Theatre has also come under verbal and physical attack by violent Islamist extremists. So in an attempt to shield himself and his theatre project from this, he has recruited former al-Aqsa Brigades terrorist commander (subsequently granted amnesty by Israel) Zakariya Zubeidi to support the theater. And in a press conference in Jenin this week, Juliano played a very different tune:
""I do not rule out armed struggle," he said, bounding with confidence and strikingly charismatic. "An armed struggle is legitimate as long as it is directed at an occupier, and conducted on occupied land. An occupied people can act against its occupier in any means necessary," Mer said, adding that, "None of us here is to prevent someone from carrying a gun." "But if there's no history, culture, or art behind that gun than that gun is killing instead of liberating." Mer continued, promising that the theater "will not accept funding from any Israeli side," adding that decision on the matter was "final." "I want to make it clear: I support one Palestinian state, from the sea to the [Jordan] river. If the Jews want to live among us, Ahalan wa Sahalan [Arabic for 'go ahead']."
The movie has been featured in both Arab and Jewish film festivals, and I was curious; plus the filmmaker, Juliano Mer Khamis, was going to be there to discuss the film as well as the children's theatre group in the Jenin refugee camp that was founded by his late mother (the Arna of the title). The film, though certainly flawed, is a powerful piece, given that a large portion of it was filmed in Jenin during Operation Defensive Shield in 2002 during which the so-called Jenin Massacre took place and follows several former members of the children's theater troupe who had become members of Fatah's al-Aqsa Martyrs Brigade (one ends up as a mass murderer when he randomly guns down civilians in Hadera, another gets killed while attacking IDF soldiers).
In the discussion afterwards, I asked Juliano, whose father is Arab, whether his mother (who had fought in the Haganah) and he (who had served in the IDF) were promoting simply an anti-occupation viewpoint, or a frankly anti-Israel viewpoint; given that his mother was shown giving a speech to the children praising "intifada", it seemed a reasonable question. Juliano, however, thought this was an entirely unreasonable question, asking how I could even dare to suggest that. He implied, if not straightforwardly stated, that this wasn't about anything except the occupation.
Well, Juliano is an actor by training, and he acted the part of the righteously indignant with skill and gusto. The problem, as it turns out, is that he is indeed an actor, and a bald-faced liar to boot. As part of the controversy that developed when a children's orchestra from Jenin played for an audience of Holocaust survivors, the Freedom Theatre has also come under verbal and physical attack by violent Islamist extremists. So in an attempt to shield himself and his theatre project from this, he has recruited former al-Aqsa Brigades terrorist commander (subsequently granted amnesty by Israel) Zakariya Zubeidi to support the theater. And in a press conference in Jenin this week, Juliano played a very different tune:
""I do not rule out armed struggle," he said, bounding with confidence and strikingly charismatic. "An armed struggle is legitimate as long as it is directed at an occupier, and conducted on occupied land. An occupied people can act against its occupier in any means necessary," Mer said, adding that, "None of us here is to prevent someone from carrying a gun." "But if there's no history, culture, or art behind that gun than that gun is killing instead of liberating." Mer continued, promising that the theater "will not accept funding from any Israeli side," adding that decision on the matter was "final." "I want to make it clear: I support one Palestinian state, from the sea to the [Jordan] river. If the Jews want to live among us, Ahalan wa Sahalan [Arabic for 'go ahead']."
http://www.haaretz.com/hasen/spages/1079929.html
Well, Juliano, you are a good actor. You almost had me believing that you were trying to take a brave step for peace and coexistence and away from violence. But since you apparently believe that all Israel is "occupied land", then "any means necessary" would include such atrocities as the Park Hotel Seder massacre that led to Operation Defensive Shield and the deaths of some of your young terrorist friends. Is it the fact that you now fear a Palestinian bullet that is getting you to openly support terrorism? Or is it actually your goal to have another generation of children come through the theatre and end up as jihadists?
Well, Juliano, you are a good actor. You almost had me believing that you were trying to take a brave step for peace and coexistence and away from violence. But since you apparently believe that all Israel is "occupied land", then "any means necessary" would include such atrocities as the Park Hotel Seder massacre that led to Operation Defensive Shield and the deaths of some of your young terrorist friends. Is it the fact that you now fear a Palestinian bullet that is getting you to openly support terrorism? Or is it actually your goal to have another generation of children come through the theatre and end up as jihadists?
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